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If anyone can take you to Ayemenem, Kerala in India, during the hot Maydays in the 1960’s in great detail, it is Arundati Roy.
She manages to write lyrically about its local color; a river snaking behind her protagonist’s home, the two children who used to live in it, their English cousin who perishes in the river. She narrates the medley of adult lives that become extraordinary in spite of their Indian ordinariness. These are Angliophiles and their love affairs and travails, adventures in Oxford and London. These are the orangedrinklemonade man who molests Estha in a movie theater kiosk. Set in the height of Marxist leanings that have taken over in Kerala in the 60’s as protests against the caste system was at its height, she focuses on the factory owners, their rich landed heritage and their Pickle and Jam Factory founded by a semi blind Mammachi. She writes about The Imperial entomolgist patriach, Pappachi and his sadness that a new species of moth that he discovered was not named after him. She weaves a believable tale of the family who employs Velutha and his family as hired hands in their factory. A paravan, Velutha has a love relationship with Ammu, the mother of the twins, and daughter of the owner of the affluent household. Ammu’s relationship with their paravan is taboo and a complex weave of events lead to Velutha’s mistakenly being accused of the death of Sophie Mol. Fraternal twins Estha and Rahel run away after their mother Ammu, in a fit of anger and frustration, reprimanded them and tells them that the twins are responsible for her miserable and ill fated life. Sophie Mol tags along and drowns as the make shift boat sinks in the river. Baby Kochamma, an aunt whose life is strewn with could have beens and should have beens contrives to have the death of Sophie Mol be pinned on Velutha. Upon her knowing that Velutha was having a love affair with Ammu, she connives to persuade Estha and Rahel to point to Velutha as the “murderer”. Velutha is beaten to death by the police.
In the light of the tragic events that rule the lives of the kids, their parents and their next of kin, the small events that happen in their lives are the only things that they can look at, ignoring the bigger things like injustice and political strife. They seem to be grieving something all the time and as a consequence make poor choices about their life and their relationships.
There are many elements of child abuse, spitting, vomiting and the denigration of women in this novel.
One wonders how the God of small things permit this to happen.
Fascinating, inspiring, daunting and brave, these are the words to describe the efforts of one man to make a difference that will be palpable through the generations of Pakistani women and men that education touched. This is a recounting of the efforts of Greg Mortenson, consumate mountain climber, relentless fundraiser, intrepid leader, inspirational follower, Berkeley bum, errant husband, on and off emergency room nurse and humanitarian. In the barren, poorest interstices of the Himalayan mountains resided the most hospitable, Karkoran mountain people whose children were deprived of not only proper nutrition but of any opportunity to go to school. Young girls would gather in hillsides and wait for instruction, they were writing with sticks on the ground. Greg’s promise to come back to help the people of Korphe began with writing letters to potential funders, helpers and good souls only to be discouraged by the lack of response of people, except for one Dr. Jim Hoerni who gave him $12,000 to get started. Then his real climb that was more formidable than climbing K2 (world’s steepest and next highest mountain in the world in Pakistan) began.
This is the first novel I read on the Amazon Kindle. I must say I had a hard time finishing the book. I made it to my book club without knowing that half of the ladies did not finish reading it too. Maybe because it dragged on for a long time, to be able to portray the loss of confidence and a sense of who we are and our purpose in life. Power’s style must have been the perfect way to reflect the ongoing confusion of his characters. Maybe it was also because I was reading it on new technology, the e-reader, thus I could not get passed the first few chapters.The main characters in the novel were Mark Schluter, Karin, his sister, Dr. Gerald Weber and Sylvie, Dr. Hayes and Barbara. There is Daniel and Robert Karsh, Karin’s lovers. Mark was in a near fatal accident and suffered brain trauma that renders him incapacitated and needing help. The only one who could provide care for him is his sister Karin. She uproots herself from her job and her home and tries to take care of her brother. A neurological disorder, Capgras, ensues after the traumatic brain injury. Mark doesn’t recognize Karin and thinks she is an impostor. Karin seeks the help of a well known physician and the doctor flies in town to examine Mark. He is apparently the authority on brain disorders, with a collection of journal entries chronicling the vast cases of neurological disorders he has seen and has treated and diagnosed. He is published and respected in his field. When Mark’s condition deteriorates, all that Dr. Weber is able to prescribe is CBT (Cognitive Behavior Therapy).Karin struggles with her own life with caring for Mark and reconnects with her hometown, Kearney, Nebraska. She goes out with Daniel, a friend of Mark’s. Daniel, the conservationist-environmentalist and pure hearted soul is somewhat too wimpy. Karin sleeps with him and another man, Robert Karsh, an evil, selfish, polygamist land developer.In the wetlands of Platte, the cranes migrate and mate, they descend upon the marshes and is the backdrop of the drama that unfolds between Karin, Mark, their doctors and nurse, their friends and the confusion that they are experiencing owing to Mark’s illness and strange recovery.Everybody seems to be going through some kind of Capgras syndrome where the characters start to question their realities and their identities. Only the coming and the going of the cranes, their births and deaths seem to be permanent. The DNA that propels them to do the same rituals every season for all time ensures this. Powers likes to create characters from other classics, and I find this out from a blog review. He has apparently been basing his characters on those in The Wizard of Oz . Karen is Dorothy who wants to go home, Mark is the Scarecrow who doesn’t have a brain, Robert is the Tin man who doesn’t have a heart, Daniel is the lion without bravery. Dr. Weber is the Wizard of Oz, all knowing but is the fraud that misleads his patients. Barbara is Glinda the Goodwitch.The Wizard of Oz, the first American fairytale is the pattern that can be superimposed with the development of Power’s characters. Set in the backdrop of Nebraska, it is the perfect allusion to post 9/11 America where all of us are reeling from Capgras.



I have not seen more beautiful prose in a long time. McCarthy’s images vividly describes in short incisive detail. His words are chosen with great care, telling a horrific story but at the same time giving great attention to the tender love between a parent and son. This love is probably what he forsees will remain after all memories of humanity and life on earth have vanished. His last paragraph that summarizes the story so lyrically read:”Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back, Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.”I would say that “The Road” is a metaphor for where we all are at different stages of our lives. The minute we are born, we are on the road to our finality, and there are many adventures, twists and turns of fortune while we are on our journey. We have children, wives and husbands, friends and foes, we go on adventures and pay attention to our connectedness to God and one another whether we do it consciously or not. In the end of the story, the boy’s father dies and leaves him in the care of a family . The boy cries for a long time and when he comes back on the road, a woman embraces him and asks if he was all right.”Oh,” she said,”I am so glad to see you.” She would talk to him sometimes about God. He tried to talk to God but the best thing was to talk to his father and he did talk to him and he didn’t forget. The woman said that was all right. She said that the breath of God was his breath yet though it pass from man to man through all of time”.This book is about hopelessness but it for some reason resonates with resplendent rays of redemption and salvation because of the grace of love that was so eloquently described in the last two paragraphs above. That is the love and voice of God that is connected to our father’s breath and the breath of all men for generations through eternity. This remains even after we have destroyed our planet and annihilated ourselves completely.